Hitlers Leadership Outcome of WWII free essay sample

Impact of Nazis hateful propaganda on consequences of war in Europe. History of German hatred of Jews, economics, rituals, Hitlers aims policies, mass psychology, industry military. The term propaganda is defined as the organized attempt to influence the attitudes and opinions of others. Propaganda, thus, refers to the use of mass persuasion techniques. Adolph Hitler, leader of NAZI Germany, was acknowledged to be a skilled propagandist. Hitler used his propagandistic skills as one of his leadership tools. Some people advance a proposition that holds that Hitlers leadership, together with his use of propagandistic skills, caused the adverse outcomes of the Second World War to be more severe than otherwise would have been the case. On its face, this proposition is absurd because Hitlers leadership and the use of

10 Critical Essay Topics on the Dangers of Antibiotics

10 Critical Essay Topics on the Dangers of Antibiotics Before you set everything up for writing a critical essay about antibiotics and their negative effects, you should make sure you know what you are talking about. Here are ten facts that will help you find your footing in this complicated topic. 1. Antibiotics Kill both Harmful and Useful Bacteria Indiscriminately Surely, antibiotics have saved the lives of millions of people by eliminating the pathogenic bacteria that are the cause of vast majority of infectious diseases. However, we should remember that human intestines naturally contain around 100 trillion bacteria that are not only useful but essential for our well-being. Using and especially overusing antibiotics may throw the delicate balance out of whack, causing a wide range of syndromes ranging from annoying to fatal. 2. Drug Resistance To put it simply, the more we use antibiotics, the more resistant bacteria grow. As a result, physicians are forced to prescribe either more potent and therefore toxic antibiotics, or larger doses of them. This both poisons the patient and makes the bacteria even more resistant to treatment. Today the world healthcare industry is growing more and more alarmed by the perspective of post-antibiotic world terrorized by â€Å"superbugs† – pathogens that are no longer treatable by antibiotics. 3. Fatal Diarrhea Cases in Children In most cases, a common cold is caused by viruses, not bacteria, which means that antibiotics are useless against it while still causing side effects. Recent CDC studies show that children given antibiotics to treat upper respiratory infections are far more susceptible to C. difficile – bacteria causing severe diarrhea, dehydration and, in extreme cases, death. This infection is quite dangerous as it is, but especially lethal for little children, and antibiotics may give it a greenlight. 4. Increase in Drug and Hospital Costs Let’s not forget about economic ramifications of the growing drug resistance in bacteria. As old antibiotics grow less efficient, a need arises in new, more potent drugs or alternative methods of treatment. These had to be researched, tested and put into production, which requires time and colossal amount of resources. As a result, treatment of a drug-resistant infection is not only more difficult, but longer and more expensive for the patient. 5. Powerful Side-Effects Even relatively harmless penicillin carries a number of dangerous and potentially lethal side-effects, the most important of which was severe allergic reaction that happens from 1 to 4 occasions per 10,000 administrations. More modern antibiotics can cause the same and much more. Macrolide antibiotics such as Azithromycin may cause arrhythmia and cardiac arrest, the same goes for quinolone antibiotics such as extremely popular Levaquin. Chloramphenicol sometimes causes severe aplastic anaemia, and it is just a drop in the ocean. 6. Antibiotics May Cause Weight Gain It is common knowledge that antibiotics promote weight gain in livestock, which is why food producers generally include them into the diets of their animals. Somehow, most people fail to extrapolate that they should have a similar effect on humans – and some recent studies indicate that it is really so. Children who were prescribed antibiotics seven or more times between the ages of 3 and 15 on average weigh about 3 pounds more than those who didn’t receive antibiotics. It is not clear why this happens; probably because antibiotics wipe out healthy bacteria living in the gut and change the way food is broken down and processed. 7. Development of Food and Other Allergies By changing the natural micro flora of human intestines, antibiotics can lead to the development of food allergies. Moreover, exposure to antibiotics at an early age leads to significantly increased risk of developing allergies in adult life. This becomes especially noticeable if one is subjected to more than 2 courses of antibiotics during the first year of life. Again, the reasons are unclear but possibly connected to the disruption of normal gut flora. 8. Antibiotics Ruin Our Immune System Humans have co-existed with bacteria for millions of years, and our immune systems have developed to keep infection at bay. By habitually dousing every small ailment with antibiotics, we suppress our own natural ability to fight off diseases. As a result, when one finally encounters a really dangerous disease, one’s natural immune system may turn out to be powerless to deal with it. 9. At Least Some Antibiotics Lead to Chronic Illness Although antibiotics are supposed to kill bacteria while leaving human cells intact, some studies show that it is not always the case. Fluoroquinolone antibiotics such as Levaquin, Cipro and Avelox have been discovered to deplete mitochondrial DNA, damage cellular lipids and cause massive amount of oxidative stress within the gut. In the long run, they lead to a long list of symptoms ranging from tendon rupture and peripheral neuropathy to psychiatric problems and extremely complex and unpleasant Fluoroquinolone Toxicity Syndrome. 10. Not Completing a Course of Antibiotics Is Worse than not Starting It at All If you’ve started a course of antibiotics, you should complete it. Otherwise the disease is likely to return, and this time it will be much harder to treat. It will be less likely to go away on its own accord, and will probably require another, more potent antibiotic to get rid of it. Of course, antibiotics save lives every day. However, the way we use them today is far from what they are intended for. By treating trivial illnesses with this potent medication we feed bacterial drug resistance, which is a much more real and universal danger to human race than terrorism or nuclear war. If you need to write a critical essay but don’t know how, have a look at these writing tips. But if you have problems particularly with selecting the best topic for your essay in this field, check out the prepared topics on the dangers of antibiotics. Spend a minute on looking and save hours of searching and brainstorming. References Andrews, K.T., G. Fisher, T.S. Skinner-Adams. â€Å"Drug Repurposing and Human Parasitic Protozoan Diseases.† International Journal for Parasitology: Drugs and Drug Resistance 4.2: 95-111. Print Brannon, Shannon. â€Å"I’m on a Life or Death Warning due to Antibiotic Resistance†. The Guardian. Nov. 18 2015 Gardiner, Beth. â€Å"Taking on the Superbugs†. The New York Times. Oct. 19 2015 Tavernise, Sabrina. †White House Meeting Elicits Pledges to Reduce Antibiotic Use†. The New York Times. Jun. 2 2015 Tran, Mark. â€Å"’Last Resort’ Antibiotics Pose Growing Threat to Healthcare, Report Warns†. The Guardian. Nov. 16 2015 Stone, Judy. â€Å"Common Antibiotics Cause Arrhythmias, Death and Everything Else†. Forbes. Nov 9 2015 Visit our writing service to buy a critical essay online. You will get a superior-quality custom critical paper written from scratch!

Innovative Organisations Essay Example | Topics and Well Written Essays - 2000 words - 2

Innovative Organisations - Essay Example By virtually every measure, Ryanair has managed to develop positive leadership innovation, process innovation and product/service innovation by creating new business models and business structures designed to bring long-term value to the business. This report identifies Ryanair’s strategies in innovation, an assessment of these innovations, and also a description of how the author of this report could contribute effectively to the long-term future of Ryanair. Innovation is key to any successful enterprise. There are a wide variety of acceptable definitions of innovation, one of which is the successful creation and launch of a new product or service concept which provides significant competitive advantage to today’s firms. Competitive advantage means utilising this new innovative idea or concept and applying it using a market-focused methodology which outperforms competing companies and gains market share in the process. This report highlights the activities of Ryanair, the low-frills, discount airline company, which provide innovation in the airline industry and a stronger business portfolio. Ryanair was established in the 1990s as one of the first no-frills discount airline companies in Europe. The company, with this discount philosophy, has managed to increase its market share against major competitors such as Lufthansa and Air France-KLM (Done, 2009), which is not an easy task to accomplish considering how long these airline companies have been a staple airline carriers in Europe. When the company was first implemented, there did not seem to be a heavy consumer demand for no-frills services, or perhaps the company simply lacked marketing focus, as the business was riddled with heavy losses and an inability to seize a higher volume of market share than that of its competition (Done). However, today, Ryanair has managed to redevelop its previous business model, making it more adaptive to consumer needs, which is bringing the

Succession planning Essay Example | Topics and Well Written Essays - 750 words

Succession planning - Essay Example This is because the company was prompted by the varying statistics of the workforce. However, in 1995, the company realized that most women who were successful to attain the vice president level were the white women. Out of these results, the company’s Chairman and CEO who was heading the company at that time used the leaders who were reporting directly to him to develop women of different races in order to be represented in the vice-presidents position. The leaders had big roles to play to develop and monitor workers from the minority groups, especially women from other races apart from the whites. The company ensured that women of other races benefited from all the succession planning process within the company. The structure of succession planning used by the company involved the following: First, it involves making a commitment. Individuals in the top management should be committed to succession planning. They should be prepared mentally to handle abrupt loss in the organization resulting from death, disability, resignation and retirement. Secondly, it involves assessing the current work requirement and competence of individuals. Those involved in decision making in the company should ensure the work to be done and the output requirement is clarified. Thirdly, individual performance should be appraised. A company should eliminate any existing barriers to individual performance and encourage them to do their best. This can be achieved through establishment of performance management systems. Fourthly, it involves assessing future requirements output among individuals. Those involved in the decision making should come up with necessary competences which will enable the organization to be suc cessful. The fifth step involves assessing individual potential. An organization should come up with ways of assessing what individuals are capable of in present and future

Project Management Capstone - Schedule, Budget, and Controls Assignment

Project Management Capstone - Schedule, Budget, and Controls - Assignment Example A budget calendar is a form of plan that is used to enhance timely and comprehensive implementation of the numerous actions of the budget. Formulation of a schedule for the procedures and steps that will be followed in each phase of the process of developing the budget is planned for in the budget calendar (Spofford & Savov, 1999). In addition, the participants of budget development, as well as, their duties are defined in the budget calendar. The budget calendar also keeps the actions that are required by law on track (Spofford & Savov, 1999). It is in the budget calendar that decisions of goals based on the organization’s long term vision and company needs are made. Also, decision on the long term goals, based on revenue allocation and evaluation will be made using the budget calendar. Analysis and review of the budget, adoption of the budget, as well as execution of the budget are carried out through the budget calendar (Spofford & Savov, 1999). Secondly, a revenue forecasting model can be used as a tool for schedule and budget development. This will involve cost and investment estimations, applicable discount rate to account for risk and revenue forecasts, which should be made so as to determine the potential value of new products (McIntyre, 2013). Using the revenue forecasting model, the current market share can be obtained by ensuring that company’s customer base is multiplied by total penetration, multiplied by the share of penetration of the product, multiplied by the unit price of the product, multiplied by the number of units that will is sold per the year (McIntyre, 2013). Given that performance budgeting is the most ideal type budgeting and scheduling for this project, which focuses on actual or projected results, budget decisions will be shifted from inputs to outcomes. Analytic tools can also be used to develop both the schedule and the budget because such tools empower those

Everyday Use, Alice Walker | Character Analysis

Everyday Use, Alice Walker | Character Analysis In the short story Everyday Use, Alice Walker crafts the character of the three main characters in a clever way. This was very important as it is the three characters, Dee, Maggie and Mama who made the story to be as powerful as it is. The three main three characters are used very well by walker to pass the underlying concepts of the story. Dee and Maggie are the two daughters of mama and this paper is going to analyze their character differences. Starting with the first paragraph of the short story, Alice Walker builds a powerful image of Dee. At first she seems to be a very shallow character. However, this changes as the story develops and she becomes more and more complex. Blessed with both beauty and brains, Dee immerges as a girl who is still struggling with her heritage and identity. She is a flat character, who many think is selfish and arrogant. Through her eyes, one can very notice her narcissistic and egoistic nature. She is depicted as a fairly-skinned black girl who thinks that she is better than everybody else because she has a slim waist, good air and educated. In contrast to Dee bad character, Walker builds Maggie as a person with good character. She is the guardian of history and the culture of her people. The two girls and their mother with their different characters serve as artistic representations of a range of aspects of African Americans heritage and culture. In addition to this, they are the readers crea tive guide to comprehending the identity struggles faced by the African Americans during this time. As stated above, Dee is portrayed as an egoistic and a selfish person with a superficial understanding of her own heritage and culture. She epitomizes the misguidance and confusion of young black Americans in the late 1960s and 1970s. This type of character is evident in her exchanges with her sister and mother. Dee she considers herself as sophisticated, and more than the abased quality of the lives led by her sister and mother. She courageous and makes her feelings clear by attempting to take the quilts that her mother had promised to Maggie. She says that in actual sense her sister Maggie cannot appreciate those quilts as she would probably be old fashioned to put them to everyday use. She erroneously believes that by using these quilts for other purposes other than their original intended purposes, she would be respecting and preserving her heritage. However, this is not the case as her desire to put the quilts on display can be interpreting to being the same as white capitalist cashing in on ethnic artworks. Not only is she in compliance to the most evil of western ideals, but she is also disrespecting and rejecting her own cultural heritage, all under the pretenses of protecting it. It is in this perspective that Dee can be described as the embodiment of the efforts of a unifying identity, for the reason that she has not yet come to comprehend her place in the community as both an American and an African. In great contrast with the personality of Dee, Maggie is portrayed as a good-hearted and a simplistic person. These personalities add a different dimension to the short story. She comes out to be a more likable character that is a more likely bearer of tradition and her culture sacredness and preserves its heritage more than her educated and brighter sister. Maggie is a bright girl who truly comprehends the true value and meaning of heritage. As her sister Dee affirms, Maggie is backward and unsophisticated to put the quilts promised to her by her mother to everyday use. However, what her sister Dee does not make out is that in doing so Maggie would be preserving the ancestral meaning and importance of the family quilts and this is what is important. Alice Walker strengthens the cultural importance of Maggies personality when she firmly does not allow Dee to have her way. She hugs Maggie close to her, drags her to one room. She goes on to snatch the quilts from Dee and then dumps the m on Maggies lap. This clearly shows that Maggie with support of her mother wants to uphold and preserve a lasting relationship and connection with her heritage. She represents a large number of African Americans who value their heritage and they would love the idea of passing on that heritage to their off springs without diminution between generations. A lot of other things can be said about Alice Walkers Everyday Use. this is a very compelling short story, full of meaning and symbolism. However, as this paper has already discussed, it is the contrasting and the unique characteristics of the main characters that give the story its power. Without Dee for example, the readers would not be in a position to understand the identity struggles that was going on during this time. On the other hand, without Maggie no one would understand the important and commitment that some members of the African Americans had in preserving their heritage and culture. Essay-2 Deceit in Much Ado about Nothing Deceit is useful despite its negative connotation. This is seen in the application of deceit in Shakespeares play, Much Ado about Nothing. In the play there are various instances in which deceit is used either to perpetrate positive or negative motives. Deception is widely used positively by some characters to help other people cope up and succeed in their social way of life. The use of deceit as a theme in Much Ado About Nothing is instrumental in the development of the plot. Deceit as a style helps the characters to achieve their intended goals and motives. These motives are both destructive and constructive, pointing at the positive and negative use of deceit by the characters. Throughout the play, deceit has been used severally by many characters for different motives and intentions. Benedick and Beatrice who in their own inward feelings secretly love each other but use deceit of verbal insults to outwardly show that they do not love each other. This way, deceit has been used by characters to advance and fulfill their personal interests. In addition, Benedick and Beatrice are blindly deceived by Claudio and Hero into believing that each one loves the other. In this way, they are caught into prey by Claudios and Heros deceit which finally makes them fall into love and thereafter get married. Through these incidences it is clear that deceit is good in certain incidences because Claudios and Heros deceit finally united Benedick and Beatrice into a happy marriage. Shakespeare has utilized a combination of sarcasm, pretense, vile humor, envy and counterfeiting to bring out his theme of deception. Benedict and Beatrice secretly admire each other but engage in open showdowns against each other in attempt to hide their feelings. They are trapped in a web of self-deception when they hurl insults at each other, yet privately hoping that the other will notice their true feelings of affection. This only makes the wedge between them to broaden. In trying to outdo each other in wit, they lose the very thing they desire from each other-love. This is typical of what todays society recommends to women that in order to be seen as expensive by the men, they need to put up a tough face and not immediately accept any offer of a relationship. Many of them end up losing the very person they admired to a woman who is less snooty. At the same time deceit has been used for evil and hidden personal motives as evidenced through actions of the troublesome Don John. Don John had an inward revengeful motive against his brother Don Pedro for a military action defeat. While Don John tries to accomplish his revenge against his brother Don Pedro, he merely lies to Claudio that his brother Don Pedro is having an affair with his lover Hero. This is something which angered Claudio very much. Here, deceit has been used mainly for evil and personal hidden motives. In addition, deceit is evident when Don John through his actions of planning an evil scheme with Borachio and Heros servant Margaret. They secretly scheme to disrupt the already planned wedding between Claudio and Hero on the eve of their wedding day through the dressing mannerism of Margaret in Heros dressing. This plan eventually led to Claudio insulting her innocent love Hero of being an infidel which subsequently disrupted their wedding. Here, deceit has been e villy used for fulfilling the ill motives and desires of characters. When the brothers Don Jon and Don Pedro go to visit their relatives in Messina, Don Jon expresses remorse to the citys governor Leonato, for setting ambush against his brother in war. However, the truth of the matter is that Don Jon is very bitter against Don Pedro for beating him in war, and has a revenge mission in place against his brother (Shakespeare). He deceives his brother, at least outwardly, that everything is okay, whereas his heart is in turmoil. This symbolizes although to the extreme, the sibling rivalry that is common among many families today. Due to jealousy, Don Jon devices a wicked plan against Claudio. First, he tries to convince Claudio that his lover Hero, is actually in love with Don Pedro. When he fails, he tries to foil plans of their marriage by accusing Hero of Adultery. By using deceit, he uses his friend Borachio to get his innocent lover Margaret dressed up in Heros attire and then act as if it were Hero herself flirting with Borachio. The negative result is that Claudio detests Hero, calling her an adulterer. Marriages today go through similar challenges, with the threat of infidelity being central. In addition, Leonato and his allies use deceit of false death of his daughter Hero as a punishment of Claudios denial and rejection of marrying her. Leonato and his friends used this deceitful trick in order to trigger feelings of guilt on Claudio of his deeds which led to death of an innocent girl. The overall motive of Leonato was to win favors from Claudio in order to make him abide by whatever he told him. This is an evil way in which deceit has been used for personal hidden agendas diverse from the reality. Much Ado About Nothing is characterized by excessive use of deceit to pass across its message. Deceit has been widely used by various characters in the play for satisfying their interests and motives. Many of the instances of deceit have involved its application to achieve selfish and ill motives. At the same time the way deceit has been useful in turning other peoples social lives like in marriage points at its usefulness. As illustrated in Shakespeares work deception and manipulation can be used by its players to attain both positive and negative ends.

Emily Bronte and Wuthering Heights Essay -- Wuthering Heights Essays

Emily Bronte and Wuthering Heights        Ã‚  Ã‚  Ã‚   Emily Bronte wrote only one novel in her life. Wuthering Heights written under her pen name, Ellis Bell, was published in 1847. Although, Wuthering Heights is said to be the most imaginative and poetic of all the Bronte's novels, Emily's book was not as popular as her older sister, Charlotte's, new release, Jane Eyre ("Bronte Sisters" 408). In looking at Bronte's writings, the major influences were her family, her isolation growing up, and her school experiences.      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Charlotte, Emily, Anne, and their brother Branwell lived with their father, the Reverend Patrick Bronte, in a parsonage high above the village at Haworth in Yorkshire, England ("Bronte Sisters" 408). The parsonage was amongst the largest houses in Haworth, though in comparison with the homes of clergymen in more affluent areas of Britain, it would have been considered small (www.bronte.org.uk). Patrick Bronte entered the church because it was the one career that offered to lift him out of his poor and Irish background. He was born in a cottage at Emdale, County Down, on the 17th of March in 1777. As a teacher in a boy's school at Glascar, as a tutor in a private family, and as teacher in the parish school at Drumballyroney, he made the grade and got a scholarship to St. John's College, Cambridge, in October 1802 (Scott-Kilvert 105). Years later, with the crisis provoked by the Luddite riots (1811-1812)- in which the role of the clergy in industrial districts became one of an active peacekeeping force- Patrick was among the first, and the few, to carry pistols in defense of his parishioners' property. Over the remaining fifty years of his life, he primed his pistols daily, di... ...ters. 1982 ed. "Bronte." Collier's Encyclopedia. 1996 ed. Bronte, Emily. Wuthering Heights. United States of America; Barnes & Noble Inc., 2009. "The Brontes." http://www.bronte.org.uk/brontes/victorian.asp. 23 Jan 2014. "Bronte Sisters." The New Book of Knowledge. 2012 ed. "An Emily Bronte Chronology." http://lang.nagoy-u.ac.jp/~matsuoka/Bronte-Emily-chro.html. 23 Jan 2014. "Emily Bronte." The McGraw-Hill Encyclopedia of World Biography. 2003 ed. "Emily Jane Bronte." http://www.geocities.com/CollegePark/1380/emily.html. 23 Jan 2014. Gà ©rin, Winifred. â€Å"The Brontà «s.† British Writers, Vol. V. Ed. Ian Scott-Kilvert. New York: Charles Scribner’s Sons, 1982. Print. "History of Emily's Life." http://www.geocities.com/SoHo/Lofts/4396/history.html. 23 Jan 2014. "Wuthering Heights." Cyclopedia of Literary Characters. 2008 ed.

Iron Crowned Chapter 8

There was a long pause as I waited expectantly. Volusian was enjoying this, I realized. He wasn't going to elaborate until I asked because he wanted to draw out the agony. â€Å"Damn it! Tell me what happened!† Volusian got this pleased look on his face that I suspected was the closest he ever came to smiling. â€Å"The Oak King is †¦Ã¢â‚¬  I held my breath. â€Å"†¦ alive.† â€Å"Thank God.† Of course, thinking of my own wounds, â€Å"alive† might not mean much. â€Å"Is he hurt?† â€Å"He is well and uninjured.† I sank gratefully onto my bed, knowing I wore my emotions all over my face. I hated to ever show anything like that in front of Volusian. I wanted to maintain an image of power. This situation was too important, though. Fear and worry for Dorian and the battle had been a knot within me, one I only just now dared to loosen. â€Å"What about the others? Who won?† â€Å"Your forces, mistress.† Again, relief flooded through me. We had won. Dorian was okay. â€Å"Casualties?† â€Å"Inevitable, of course.† Volusian didn't seem particularly concerned, but then, he was never concerned about much. â€Å"Death and injury on both sides. The Oak King's lands and towns remained untouched.† That last part was good news. But death and injury? No, I didn't like that. I wanted to know numbers, but for now, that was irrelevant. One death was too much. I'd get all the stats I needed from Dorian soon enough. I started to thank Volusian, but that wasn't the way our relationship worked. â€Å"Go back to the Oak Land. Tell Dorian I'll be there shortly.† Volusian gave a small nod of acknowledgment. I expected him to vanish instantly, but he paused, eyes narrowing slightly. â€Å"My mistress has also been in a battle tonight.† I shifted slightly, becoming aware of the bandages covering my shoulder and back. â€Å"Yeah, I fought a fetch.† â€Å"Who inflicted great injury.† â€Å"It would appear so, wouldn't it?† â€Å"But not enough to kill you.† The look I gave him was answer enough. â€Å"Pity,† he said. He vanished. â€Å"Damn it,† I muttered. I stayed where I was, staring off into space. I needed to cross to Dorian's land soon, but for now, I allowed the news to percolate in my head for a few moments more. Only, a new distraction presented itself. Otherworldly magic washed over me seconds before a voice spoke. â€Å"You could end it easily, you know.† I jumped up from my bed as the ghost from the mountains appeared before me. Silently, I cursed myself for having packed up my weapons. Since my queenhood, attacks at home had dropped off, lulling me into a false sense of security. It was lazy of me. Foolish. With no care for the other carefully packed items, I upended my bag, dumping everything out. I grabbed my wand, expecting the ghost to attack. Instead, she just hung in the air, face blank. â€Å"You shouldn't have come back,† I said, wand ready and pointed. Weary as I was, banishing magic tingled within me. â€Å"You should have stayed away.† She stayed motionless, uncaring of the threat I presented. â€Å"I told you. I can't. I need your help.† â€Å"And I told you, I can't help you.† â€Å"I can help you,† she said. â€Å"I can help you find the Iron Crown.† The magic welling within me paused and then I dropped it altogether. I eyed her warily. â€Å"How do you know about that?† She gave a weak shrug. â€Å"I've been following you.† I began the banishing again, quickly working out her words. Of course she could follow me. She was a strong ghost, one who could likely flit between this and the Otherworld as easily as I saw her move around here. The magic of the Otherworld, which concealed so many spirits, would make her harder to detect there. Following – and spying – would be easy. â€Å"We're done with this,† I said. Power coursed into the wand. Still, she didn't flinch. â€Å"The Iron Crown,† she repeated. â€Å"I know where it is. I can lead you.† Again, I paused the banishing and recalled something Dorian had said. â€Å"The way is blocked to spirits.† â€Å"Yes,† she agreed. â€Å"But I know the starting point. You don't even know that. I can take you there, and you can go the rest of the way on your own.† â€Å"I don't believe you. I have no reason to. You could just get me mucked up in your little investigation and then disappear.† This finally brought about emotion. Anger flickered in those pale eyes. â€Å"‘Little investigation?' This is my family! Their lives! They mean everything to me.† â€Å"Meant,† I corrected. â€Å"You need to cut your ties to this world.† Her lips flattened into a straight line, as though she fought to control her temper. â€Å"I'll take you there first. After you have the crown, you'll help me. I'll be the one taking you at your word. You have nothing to lose.† â€Å"Nothing except my life,† I muttered. â€Å"A crown that does nothing except lead me on some lethal journey is a big gamble. I don't even believe Masthera's crazy logic.† â€Å"Other spirits say it can do what she says,† the ghost said. â€Å"They're old. They remember it.† Well, that at least answered one of my questions. The dubious nature of the crown aside, I understood how a ghost like this would know about something so ancient. The grief that bound her to this world might make her strong, but she struck me as a new ghost, one that would hardly know about some legendary artifact. â€Å"It's all ridiculous,† I said. â€Å"It's time for you to go.† â€Å"It is,† she agreed. â€Å"Think about my offer. Summon me when you're ready. My name is Deanna.† And as easily as she'd come, she disappeared, beating my banishing. Admittedly, it had less to do with my skill than with my own doubt. Her words had struck something in me. A tiny spark of wonder, wonder that maybe there was some wacky way to end this war. If the legends were true. If Deanna wasn't lying. If I didn't die setting out alone on a treacherous journey. Shaking my head, I once more chastised myself for letting her go. Next time. Next time I'd banish her to the Underworld as soon as I saw her face. For now, I had to go to Dorian. I'd wasted too much time. Hastily, I repacked my bag and went on my way. Tim and Lara still sat in the living room. Recognizing what the bag meant, Tim again muted the TV, an uncharacteristic look of concern on his face. â€Å"Eug †¦ don't you think going over to Never Never Land is a bad idea after getting your ass kicked tonight?† â€Å"You should see the other guy.† I shifted the bag, careful to keep it on my good shoulder and away from my back. â€Å"Besides, sad as it is, I think I'm safer there than here.† He sighed, and I couldn't help a smile. I glanced at Lara. â€Å"I'll be back as soon as I can.† Her face was as grave as Tim's. â€Å"I don't think we're charging enough.† I laughed. â€Å"Probably not.† I left them for a gateway that opened up near Dorian's. I had an anchor in his castle too, and crossing over nearby pulled me to it. I appeared in a small, empty chamber that he reserved purely for the anchor. Even injured, I'd had no difficulty making the transition. A long time ago, I couldn't even cross in human form. I'd come over as my spirit's totem: a dark swan. Now, coming here was as easy as stepping through a door. My power had indeed grown, something that Kiyo and my parents feared. I didn't get very far down the adjacent hall before I was spotted by a servant. â€Å"Your Majesty!† he sputtered, managing a clumsy bow. â€Å"The king has been expecting you.† â€Å"Then take me to him,† I said. Dinner had long since ended, and Dorian was in one of his posh sitting rooms, surrounded by a handful of counselors and generals. To my surprise, Masthera sat there too, off in a corner where she observed rather than participated in the meeting. Dorian's face was calm and collected as he spoke to the others, but his expression broke a little when he saw me. â€Å"Eugenie!† In a few strides, he was across the room. Something cracked inside of me too, something that was so, so glad to see him alive and well. Despite Volusian's report, I'd needed to see Dorian alive for myself. My heart swelled, and I let go of my aversion to gentry customs. I dropped the bag and wrapped my arms around his neck, seeking his lips before he could hardly even get his hands on me. He gripped my hips as we kissed, the power of that kiss sweeping my body and filling it with heat as I pressed against him. It was suddenly easy to understand why gentry sometimes felt the need to have sex in public. No such option was given to me because Dorian's hands slid up my waist, freezing when he touched the bandages. He pulled away abruptly, studying me with astonishment. I still wore my tank top, giving a full view of the hospital's handiwork. â€Å"Good grief, woman,† he exclaimed. â€Å"What happened?† I gave as unconcerned a shrug as he might. â€Å"I got in a fight. With a fetch.† He stared. â€Å"She threw a table at me.† Dorian peered beyond me, over at the servant who'd escorted me to the room. â€Å"Get a healer.† â€Å"No, don't,† I said. The guy hesitated, glancing between us, torn between two commands. â€Å"You need your healers for the armies. This looks worse than it is.† That wasn't entirely true. The painkillers I'd been given were wearing off, making the scratches itchy and sore. Yet, I couldn't shake Volusian's words about death and injury. I wouldn't take any healers away from the armies. I gave Dorian a warning look. â€Å"It's fine.† He returned my look, locking us in a brief battle of wills. â€Å"Fine,† he repeated. He glanced over at the servant. â€Å"She says it's fine. Far be it from me to question my lady. Come join us, dear. I assume your despicable little pet gave you the essentials?† A chair was quickly brought over to me, and I joined the meeting. The details of it were a blur. I was no strategist, not for this kind of war. One-on-one fights were my thing. Mostly I listened to the group, not always understanding, as they studied maps and discussed army movement and strategic targets. Borders and areas with resources – like my copper mines – seemed to be a protective priority, which was about the only part I truly understood. The part that really stuck with me was the recap of this battle. It had been long, even though our superior numbers had ensured victory almost from the beginning. The towns and our food were safe. The number of casualties were recounted briefly. Dorian and his advisors seemed pleased by them, considering them low. I supposed, as far as percentages went in the army, they were. Still †¦ people had died. Gentry or not, it didn't matter. They had families, people who loved them. People who would mourn. I felt sick to my stomach. The meeting closed with plans for our next move, plans I agreed to automatically when consulted. Everyone left, off for bed, except me, Dorian, and Masthera. The pleased, laconic look Dorian had worn for his team vanished once the last person was out of our sight. He turned on me, outrage in those beautiful eyes. â€Å"What were you thinking? I was the one who was supposed to be facing an army today. Not you.† â€Å"I didn't,† I countered. â€Å"It was just a fetch. Did I mention the table?† â€Å"You're making a joke out of this.† â€Å"No more than what you usually do.† I frowned. â€Å"And this is nothing †¦ nothing compared to what you and the others faced.† His blase expression returned. â€Å"We had a great victory.† â€Å"We have different ideas of victory,† I said sadly. My eyes landed on Masthera, who watched us intently. â€Å"What are you doing here?† She seemed to read my question as an invitation and moved to a nearer chair. â€Å"Waiting for you, Your Majesty. I sensed that you would come.† I scoffed. â€Å"Volusian came and said I was coming.† The comment didn't bother her. â€Å"You've come to discuss the Iron Crown.† â€Å"Hardly.† Yet, I found myself frowning as crazy thoughts swirled in my head. Dorian arched an eyebrow of surprise. â€Å"Is that true? You made your feelings clear on that last time.† â€Å"They haven't really changed,† I admitted. â€Å"I still don't see it as a convenient end to all of this. Except †¦ well, a ghost came to me today.† â€Å"Ghosts are always coming to you.† â€Å"Yeah, yeah. But this one claimed she could lead me to the crown. Or rather, the place surrounding it. She needs a favor and offered this in return.† Masthera's eyes widened, and she leaned forward. â€Å"This is it! What I've seen. This will bring you to the crown.† â€Å"Presuming this ghost isn't part of some elaborate plan to kill me,† I said. â€Å"Wouldn't be the first time.† â€Å"No, no,† she said. â€Å"This is real. I feel it. I've had a vision of you crowned.† Dorian gave her a sharp look. â€Å"Enough. It doesn't matter if this ghost is telling the truth. I'm not sending Eugenie off into a nightmarish landscape.† â€Å"Hey, you don't send me anywhere,† I retorted. He rolled his eyes. â€Å"Please. Don't start with the mock wounded pride over your capabilities. You're a great warrior; I accept that. You defeat fetches and tables and all other sorts of fiends. But this †¦ no. The risk is too great, and I couldn't help you.† â€Å"But Your Majesty!† exclaimed Masthera. â€Å"You see the opportunity. An end to the war. The power. The fear this would inspire among others.† â€Å"My own fear is more than enough, thank you,† he said dryly. An end to the war. An astonishing thought struck me. â€Å"Gentry would suffer in the iron fields †¦ but I'm not the only half human. I could take Jasmine with me.† Jasmine was almost as unaffected by iron as I was. Touching it caused her no pain, and it was only her cuffs' tight binding that stunted her magic. Otherwise, to my knowledge, simply being near iron wasn't enough to dim her power. â€Å"No,† said Dorian swiftly. â€Å"Absolutely not. I wouldn't have your unstable sister go anywhere near that crown.† â€Å"The queen is right, though,† said Masthera. â€Å"Storm King's younger daughter might be protected by her human blood.† I expected another refusal from Dorian, but he remained silent. He was actually considering this, I realized. Jasmine would be a safe companion – or not. â€Å"No,† he repeated at last. â€Å"If she somehow returned in control of the crown †¦ Well, I wouldn't want to see that. She craves power too much.† â€Å"I thought the crown didn't have power in and of itself,† I said suspiciously. â€Å"It doesn't – but if she possessed it, others would believe she was the daughter to fear. Right now, you carry that honor. I'd like to keep it that way. You can't go with such a dangerous companion.† â€Å"Your Majesty – † attempted Masthera again. â€Å"Enough,† said Dorian, standing up. â€Å"It's late. The discussion is over, and I want to go to bed. You're dismissed.† Masthera looked upset but didn't contradict her lord. After a brief curtsey to each of us, she scurried away. We left as well, staying silent as we walked through the halls, past stationed guards. As soon as we were alone in Dorian's room, I turned on him. â€Å"You have a lot of fucking nerve! Don't ever talk to me like that in front of someone – like you've got the power around here. We're equals in this, remember?† He smiled and took off his cloak and shirt. â€Å"Of course we are. And equals sometimes trade power. When it comes to you making foolish choices, I wield the power.† â€Å"When it comes to making foolish choices, I – never mind. Look, if there's a chance to end this with as little bloodshed as possible, I want it.† â€Å"As do I.† He stood before me and ran a gentle finger along the side of my neck. â€Å"But not at the cost of your life or reputation. Find a better option, and you can go.† He moved his hands down and caught the edges of my shirt, carefully lifting it over my head without disturbing the bandages. â€Å"There you go again,† I growled. â€Å"Acting like you control this.† â€Å"I do. Just as I control this.† He grabbed hold of my waist and jerked me to him, his lips crushing mine in a fierce kiss, one that left me gasping when I managed to pull back. â€Å"You don't control anything,† I said. Yet, that kiss and his closeness made me ache with arousal. Maybe it was my anger or the residual adrenaline from all my fights today. Maybe it was just relief at seeing him, no matter how much he annoyed me now. Whenever I returned from battle, sex was his way of truly confirming I was alive and safe. Today, I shared that. He was alive. I wanted him, and he knew it. â€Å"You see?† His lips moved to my neck, and I felt the edge of his teeth. â€Å"I've got the power here †¦ and you like that †¦Ã¢â‚¬  â€Å"I †¦ that is †¦Ã¢â‚¬  Forming coherent words was difficult for obvious reasons. His mouth was too distracting, as was the rest of his touch. He moved his lips up near my ear, his hands cupping my breasts. I pushed down his pants, feeling how hard he was as my hands slid over him. â€Å"I know you, Eugenie. I know what you want †¦ and here? You want me in control. Really, those wounds you insist on keeping are all that are stopping me from throwing you against the wall or the bed.† The rest of our clothes fell off, piece by piece, while we still attempted some sort of debate. â€Å"Guess you're not as in control as you think,† I said. We were pressed together, bare skin against bare skin. We managed to stay wrapped up with each other as we moved toward the bed. His hands slid up over my breasts, lingering briefly on my nipples. Then – again avoiding any wounded areas – he gripped my shoulders, and I expected him to throw me onto the bed anyway. Instead, he pushed me down onto my knees, so that my back was barely an inch from the bed, and he stood right in front of me. The tip of his huge swelling erection was right against my lips, just like the last time we'd been together, save that I'd been on my back then. â€Å"I still have the control. I can make you do all sorts of things,† he murmured. â€Å"Now, are you going to do this on your own? Or will I have to make you?† There was no coercion needed. I parted my lips and took him into my mouth. Just like the last time we'd had sex, he felt so large and long that I could barely fit him as I sucked and slid my lips along that shaft. He realized I was holding back and tsked disapproval. â€Å"You can do better than that.† His hands were tangled in my hair, and he pulled my head closer, forcing more of him into me, more than I thought I could take as I felt him touch the back of my throat. â€Å"More †¦Ã¢â‚¬  he breathed. â€Å"Take more †¦ or I'll make you†¦.† I increased my speed and intensity as I took him into my mouth over and over. It was as much as I could do, and he knew it, but that didn't matter. This was a game, a game of power. Deciding where I went and who I fought? No. He couldn't do that. But here? He could play master. â€Å"Still not good enough,† he said. He took over from me, and just as he had last time, he thrust into my mouth as steadily and hard as he might have my thighs. His hold on my hair tipped my face up and made me look into his eyes, just as I was forced to take as much of him into my mouth as he chose. â€Å"I wish we'd done this downstairs. Should have taken you †¦ the instant you walked into the room †¦Ã¢â‚¬  He still had that smooth, controlling tone to his voice, but it was cracking a little as the pleasure of this began to take over. â€Å"I wish the whole court could see this. You're so beautiful †¦ so beautiful with your mouth full of me †¦ more beautiful still when I pour my seed into you †¦Ã¢â‚¬  I shivered, making a small groan of desire. He was pumping harder now, almost uncomfortably so for me, yet it was giving me a thrill of my own. â€Å"That was †¦ what you †¦ wanted, wasn't it? Last time?† His voice was low and strained, his whole body suddenly tensing. â€Å"This?† He came, and warm liquid exploded in my mouth. Although he slowed, he still continued sliding in and out as he released himself into me. Then, he pulled out, finishing his orgasm and spilling onto my lips and breasts. I coughed slightly, and he slid a finger across my lips. â€Å"Swallow,† he hissed. â€Å"Swallow it all.† I did, surprised that he'd been able to come so much both in my mouth and on me. The finger toying with my lip slid along my face and down to my breasts, rubbing in his semen. When his finger returned to my lips, I knew what he wanted. I took it into my mouth and licked his finger, sucking on it until there was nothing left. Smiling he helped me up to the bed and laid me down on my side, where he continued massaging my sticky breasts. â€Å"Wasteful,† he said at last. I knew what a big concession it was for him to forgo intercourse. â€Å"Wasteful, but enjoyable.† â€Å"Seeing as this was what I wanted, maybe I had the power here after all,† I teased. â€Å"Hush, woman,† he chastised good-naturedly. He shifted me again, so that my head rested on his chest. His hand slid down my body, his fingers moving between my thighs as deftly as they had under the table. He groaned when he felt how wet I was. â€Å"Wasteful, I say.† I laughed, shifting up to kiss him. â€Å"I've told you before, it doesn't – ah †¦Ã¢â‚¬  Taunting thoughts faded away, and soon all that consumed me was his fingers stroking me harder and faster. He brought his lips back to mine so that we were locked in a kiss when I came. Agonizing pleasure radiated through my body at his touch, and my cries were swallowed into that kiss. He released me only when my shaking stopped and breathing calmed, again letting me rest against his chest. One hand stroked my hair while the one that had just got me off moved to rest on my bare lower back. We both sighed in contentment, and I closed my eyes, exhaustion from the day's battles finally catching up with me. I was nearly asleep – and thought he was too – when quiet words brought me back to consciousness. â€Å"Masthera is right. The crown could solve a lot of problems.† Yes, I was definitely awake now. â€Å"I thought you didn't believe that.† â€Å"Oh, no. I believe it could end this war. I believe it would make Katrice cower in fear.† He sighed. â€Å"I just don't want to risk you. I couldn't cope with losing you.† My heart tightened at his words. I didn't know what to say and simply brushed my lips against his chest. â€Å"And you're both right,† he continued. â€Å"That if I can't †¦ if I can't go with you, then a half-human companion is the ideal choice.† Now I was really surprised. I lifted my head, hardly believing what I'd heard. â€Å"So, what are you saying? I should take Jasmine after all?† â€Å"No. That's still a horrible idea. But not quite as horrible as this one.† He gave another sigh, one that seemed to cause him pain. â€Å"You should bring the kitsune.†

Liberalism and Socialism essays

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The Perestroika Deception Research Paper Example | Topics and Well Written Essays - 3000 words

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